Richard Harris was nominated for several awards (including the Oscar and Golden Globe) for his performance in The Field. The time is the mid-1930s; the place, western Ireland. For many years rugged individualist Bull McCabe (Harris) has been cultivating a small plot of rented land, nurturing it from barren rock into a fertile field. Now, however, the widow who owns the land plans to sell it at auction. The infuriated Bull shows up at the bidding, secure in his belief that none of his neighbors will dare bid against him. But Bull has not taken into consideration a wealthy Irish-American (Tom Berenger), who intends to pave over the land and bring new industry to the area. "This is deep, very deep, deeper than you think" warns Bull, as he sends his grown son (Sean Bean) to "persuade" the American to withdraw his bid. Armed with the foreknowledge that Bull's tenacity has caused heartbreak and tragedy in the past, the audience steels itself for the awful consequences still to come. Punctuating the storyline are the periodic appearances of the toothless village idiot, played by John Hurt. Originally produced for British television, The Field was based on the landmark play by John B. Keane, and directed by My Left Foot's Jim Sheridan. ~ Hal Erickson, Rovi

麻薬取締官として、暗黒街を支配するトライデント財団に乗り込んだ麗蘭。 　　だが、逆に財団の総帥・東条に捕らえられてしまう！ 　　東条に処女を奪われた麗蘭は、その快楽に酔いしれる……

Oz Clarke and James May travel through Britain and Ireland to discover the amazing array of drinks on offer for the delectation of a wine ponce and an incorrigible scruffbag. They start their journey on top of the magnificent and enigmatic White Cliffs and travel north to Yorkshire in a 1982 Rolls Royce Corniche. 　　Their first pint of the trip is in the Tan Hill Inn in Yorkshire, where James discovers, to his dismay, that Oz knows as much about British beer as he does about wine. Their journey then takes them to the centuries-old Fawcett Maltings in Castleford, and Thornbridge Brewery, a successful micro-brewery in Derbyshire, where they discover exactly what goes into a pint of beer. 　　Oz is unable to keep away from wine and tracks down one of the most northerly commercial vineyards in the country, where he discovers, to his surprise, that wine has been made in Yorkshire since Roman times. 　　For the final part of the first leg of their trip, Oz and James leave the car behind and take to the rails, enjoying the beers in a string of real ale pubs located on station platforms. Their tasting notes become as unreliable as the train timetable as the evening proceeds, but despite a spell of beer-fuelled bickering, the evening ends peacefully.

弗朗科父子都是搬家工人。他们喜欢将箱子包装整齐，工作负责。但有一天，弗朗科忽然宣布他准备做别的事情，他想做个有用的人。他不再想浪费身上的肌肉搬运纸箱，他更想开始⋯⋯搬运人。

世上本就没有一个人能够完全了解另一个人，无论是父母，兄弟，还是朋友都一样，马杰一直都这么想。　　黑六和黑七却可以彼此了解，从不用语言，只需一个眼神或奔跑时遗落的风声，更何况黑七看到了黑六最后的那滴眼泪，还有在白光闪过之后脖颈中喷礴而出像晚霞般灿烂的鲜血。　　因为黑六和黑七不仅是兄弟，而且还是雄性的驴。　　无论生命的形式是什么，如果太聪明了就会有很多不必要的烦恼和痛苦，如果要完全摆脱这种烦恼和痛苦，最彻底的就只有一种办法"死"！　　黑六没有意识到这一点，最终的结局只能被杀。　　黑七却意识到了这一点，它选择了自杀！在一个飘雪的午夜，它将自己点燃，灿烂的火焰就像黄昏时分灿烂的晚霞，照亮整个世界。　　雪还在下……

世上本就没有一个人能够完全了解另一个人，无论是父母，兄弟，还是朋友都一样，马杰一直都这么想。　　黑六和黑七却可以彼此了解，从不用语言，只需一个眼神或奔跑时遗落的风声，更何况黑七看到了黑六最后的那滴眼泪，还有在白光闪过之后脖颈中喷礴而出像晚霞般灿烂的鲜血。　　因为黑六和黑七不仅是兄弟，而且还是雄性的驴。　　无论生命的形式是什么，如果太聪明了就会有很多不必要的烦恼和痛苦，如果要完全摆脱这种烦恼和痛苦，最彻底的就只有一种办法"死"！　　黑六没有意识到这一点，最终的结局只能被杀。　　黑七却意识到了这一点，它选择了自杀！在一个飘雪的午夜，它将自己点燃，灿烂的火焰就像黄昏时分灿烂的晚霞，照亮整个世界。　　雪还在下……

ロードムービーを撮りたい映画監督の小島桐子。限られた予算、決まらないキャストなど数々のトラブルにより理想と現実が乖離する中で、桐子が取った選択とは。PFF入選作『豚とふたりのコインランドリー』の蘇鈺淳監督作品。

ロードムービーを撮りたい映画監督の小島桐子。限られた予算、決まらないキャストなど数々のトラブルにより理想と現実が乖離する中で、桐子が取った選択とは。PFF入選作『豚とふたりのコインランドリー』の蘇鈺淳監督作品。

Cidade; Campo, director: Juliana Rojas (Brazil). Production: Dezenove Som e Imagen (Brazil), Sara Silveira. Feature film. Funding: 30,000 €

A two-part conspiracy thriller about an eager young photographer and a bitter tabloid hacker who are sent to investigate mysterious deaths at a cottage hospital.